
Wedding Film · Ktima Alassos, Paphos · 2026
Chad & Lucie – Ktima Alassos
saxophone at sunset, fireworks after dark
Ktima Alassos, Paphos · 2026 · Cinematic highlight · 6min 52sec

Wedding Film · Ktima Alassos, Paphos · 2026
saxophone at sunset, fireworks after dark
Ktima Alassos, Paphos · 2026 · Cinematic highlight · 6min 52sec
Watch the film6min 52sec
Chad and Lucie started the day at Cypria Bay, each with their own suite and their own crowd — family, groomsmen, bridesmaids, two rooms filling up on opposite sides of the same hotel. Two preparations running in parallel is the most useful thing a couple can give a film crew, because you get both halves of the morning rather than choosing one.
We went ahead to Ktima Alassos while the venue was still empty. That hour is worth more than it looks: the flowers are finished, the tables are laid, the light is coming off the sea, and nobody has touched any of it. We put the drone up over the lawn and the cliffs and filmed the whole place as it was meant to be seen, before a hundred people arrived and made it theirs.
Then the bus came up the coast road and the venue filled in about four minutes. Lucie arrived shortly after and was received by her father. [One detail — what he said, what he did, how long they stood there.]
We recorded the ceremony in full, and afterwards the speeches in full too — her father, the best man, and then the two of them. Speeches are the part couples most often ask us to keep complete, and the reason is always the same: they were too busy being in the room to hear what was actually said.
Between the two came the best hour of the day. A saxophonist playing through the cocktails, the children given a corner of their own so their parents could actually relax, and the light dropping over the water while we took Chad and Lucie out to the cliff edge for twenty minutes on their own.
Dinner, the first dance, and then fireworks over the sea. [One moment from the night.]
Full-day coverage
Chad with his groomsmen, Lucie with her bridesmaids and family. Both mornings filmed, not one.
Drone over the lawn and the cliffs, and the whole setup filmed before anyone arrived.
A hundred guests up the coast road, and a venue that fills in four minutes.
Received by her father at the top of the walkway.
Recorded in full. Mics on the celebrant and groom, cameras fixed, nothing moving.
A saxophonist through the drinks, and a corner set aside for the children.
Twenty minutes away from everyone, the sea behind them.
Her father, the best man, then the couple. All of them, start to finish.
The terrace, the view, and the last of the light.
Over the sea, and worth the wait.
Guest transport matters more than couples expect. A coach arriving means a hundred people appear at once rather than trickling in over an hour, so the arrival is a single moment worth covering deliberately, and it needs someone positioned for it. It also means the venue is genuinely empty right up until it isn’t, which is a gift for the setup footage.
The cliff above the beach is the best twenty minutes of the day here and the reason to hold your ceremony in the late afternoon. Alassos faces west over open water with nothing in the way, so the sun goes down into the sea rather than behind a hill. And if you are planning fireworks, tell your videographer at the booking stage rather than on the day — they need a camera placed and exposed for them in advance, and they happen exactly once.
We know this venue — where the light falls, where the quiet corners are, and how the evening runs. Tell us your date and we'll come back within 24 hours.
Check your date
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Ktima Alassos, Paphos · 2024
Arrival by limousine, vows at the water's edge

